Camera Operator
From a cinema ARRI to a lightweight Sony on a gimbal. Documentary, wildlife and interviews – the kit adapts to the story, not the other way round.
Over 12 years on set, in the air and in the server room. I understand the image — and the infrastructure that keeps it alive.
Depending on the project I switch between camera, drone, robot and server. Book any mode on its own — the biggest value comes where they overlap.
From a cinema ARRI to a lightweight Sony on a gimbal. Documentary, wildlife and interviews – the kit adapts to the story, not the other way round.
Aerial cinematography, mapping and scanning. A2 certified, DJI Enterprise.
Programming and operating the MRMC Bolt high-speed robot on features and commercials, alongside Phantom Flex and Arri.
Running infrastructure for film and game production — from the server room to cybersecurity.
Automation, deployment and cloud infrastructure for multiplayer games in Unreal Engine.
Filming Slovakia’s wilderness alongside world-renowned naturalist Nigel Marven was a real honour. Weeks in the field, early starts, amazing wildlife – unforgettable experiences.
Filming, motion control, aerials and photogrammetry. From Slovakia to Texas, Mexico, India and Japan.
For more than 12 years I’ve moved between studios and server rooms. On features and commercials I program the Cinebot, on documentaries I’m behind the camera, and along the way I often look after the on-set data. At Studio 727 I manage the workstations, render farm and petabyte storage, and I also work on an Unreal Engine game. And whenever there’s time, I still head out to film wildlife.